Difference between screenwriting and novel
Which POV drives the story?
Difference between creative writing and screenwriting
A movie is a collaboration. They don't need to be. You have to be very good at pitching in person, at understanding the psychology of what film people are expecting you to do in each meeting, etc. Luke returns home to find his aunt and uncle killed. No matter when the story takes place, the act of watching is happening in the present, so that is how we see it, so that is how the script reads. Neither a script or book sells itself, but a book can be read in its entirety before it is bought, it is easily tested to see if it is entertaining. Epic period piece? Their plots are typically very simplistic and virtually predictable in their pacing to the fraction of a page. It makes my writing, in both forms, that much richer. A writer is free to create a story that covers the globe — starting in Buckingham Palace, venturing the Alps of Switzerland, sailing the Atlantic to North America to arrive in New Foundland where the main character enters a dog sledding race across Canada. That isn't very much!
With a book, you can take your time arriving at your destination. Screenplays are not so easily tested and are a bigger gamble. Also, the movie business is much, much harder to break into than the book business.
Screenplays, on the other hand, are one link in a long process leading to the final art form: a movie. Personally, I love it.
Difference between story writing and script writing
Once you have the basic story figured out, you simply rearrange the pieces. In effect, it takes what seems like a gargantuan task telling a story and breaks it up into manageable pieces that will fit together like a puzzle. The producer and then the director get to decide what parts of the script they will use and what parts they will throw away - and what parts they will let someone else rewrite. A few writers have gotten as much as three million. That is 30 pages of dialogue, but the margins 2. A major event heading us into the climax. Falls to his knees in agony. If not, your story may be better suited for a novel. The Writers Store eZine. Now a little tough love for screenwriters. The genius of these stories lies in how and when the storytellers choose to reveal things to you instead of letting it all play out chronologically. The director decides what goes on film, which is far more significant. Everything else is left to some other discipline. Be prolific.
Could they be reduced? Right or wrong, the director will get most of the credit for what makes it on screen. I seemed to be on pace and that was it.
Is it easier to sell a screenplay or novel
The way I see it, the filmwright and the novelist are equivalent and have similar creative experiences, except that the novelist is a one man or woman band doing everything themselves, while the filmwright delegates many responsibilities to others, is generally more sociable, and can handle a great deal more stress. The more difficult requirements concern what words you are actually allowed to include, how many of them there can be, what font and size you can use, and even what tense you can use. I just get them down and move on. You can always tackle the conversion process later if you decide your story would be better suited for paperback or screen. The reason why you read stories about million dollar sales is because they are pretty infrequent. Personally, I love it. Everything else is left to some other discipline. And, what format would be best for a semi unpublished writer? Everyone from producers to directors to actors to the costume designers needs to read and analyze the script, so it has strict formatting rules. Want more on the differences?
Finally—not to belittle the screenwriting process—there are some stories that I feel more comfortable sharing credit on the final product compared to other stories I feel so strongly about that I want to collaborate with no one.
Think of the story as a line.
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